Varieties of habitus and the embodiment of ballet: how Pierre Bourdieu?s bodily theory can be applied to dance, in the case of Balanchine dancers

Varieties of habitus and the embodiment of ballet: how Pierre Bourdieu?s bodily theory can be applied to dance, in the case of Balanchine dancers Write a 10 page research-based analysis on how Pierre Bourdieu?s bodily theory can be applied to dance, in the case of Balanchine dancers. Sources must include these books (John Berger, Ways of Seeing, ISBN 0-14-013515-4, Stephen David Ross, Art and Its Significance ISBN 0791418529, Junichiro Tanizaki, In Praise of Shadows, ISBN 0918172020), and at least four other sources, found on one of the following electronic data bases: (Art & Architecture Complete; Academic Search Premier; Article First; JSTOR; Project Muse; Wilson Omni File Select). USE ALSO MATERIALS FROM THE ATTACHED FILES. Please make sure that there is a clear statement of topic and statement of specific issues to be discussed, followed by critical analysis based on research. MAKE SURE THERE ARE CLEAR IDENTIFICATION OF EVERY SECTION IN THIS PAPER, FOR EXAMPLE: THE INTRODUCTION, SUB-SECTIONS, CONCLUSION, ETC. PLEASE SEE THIS EXAMPLE OF HOW TO START THIS PAPER (Example): ?Naked and Nude in John Berger?-This paper discusses John Berger?s distinction between naked and nude in ways of Seeing in the context of contemporary debates over obscenity. Berger?s perspective seems, at first , to reverse widely held views (praising carefully painted famous work as beautiful, and criticizing mass-produced images as pornographic or obscene). On closer inspection, however, Berger primary issue may use be a well-know problem: what happens when a human subject is transformed into an object-am image. Is Berger concerned about objectification in general or about specific ways in which women have been objectified?