The Ethos

Part I - Watch the attached video on the concept of "Ethos" and how it affects music.
Part Il - Complete a short response paper on answering questions from the attached reading.
The paper must conform to the following:
Must be 4 pages (minimum) which consists of 1,000 words total in the body of the text. All work must be doubled space in prose form with space in prose form, with citations in APA format.

  • Reference Page, and Title Page DOES NOT count towards the total word count.
    404)
    The paper should address the follow questions below:
  1. Define and explain the Doctrine of Ethos according to the Ancient Greek Philosophers:
  2. Apply both a Plutonian and Aristotelian approach to the Doctrine of Ethos:
    A) For a Plutonian Approach, state how you would use music to instill excellence and how it may be used pedagogically in order to build character and promote ethical
    B) For an Aristotelian approach state how you would use music to a pleasurable or practical end. Illustrate how music would be used for practical purposes by situation music with appropriate ethos in different social circumstances.
  3. How does the Doctrine of Ethos influence the emotional impact of music?
  4. How does the concept of ethos in music relate to cultural and historical contexts?
  5. What are some criticisms or limitations of applying the Doctrine of Ethos to music?
  6. How might composers intentionally manipulate ethos in their compositions to evoke certain emotions or moods?
  7. How does the listener's personal experiences and cultural background affect their interpretation of the ethos conveyed in music?
  8. Can you discuss any contemporary examples where musicians or composers have consciously employed the Doctrine of Ethos in their work?
  9. How do different genres of music utilize ethos differently, if at all?

Full Answer Section

     
  1. Defining the Doctrine of Ethos
The doctrine of ethos, originating in ancient Greece, revolves around the belief that music possesses the power to influence a person's character and emotions (Agawu, 2009). Plato and Aristotle, prominent philosophers, explored this concept in their writings. Plato, in his Republic and Laws, advocated for a form of censorship, arguing that music with a negative ethos could corrupt a person's soul (McCleary, 1994). He believed in the power of music to instill specific moral values and promote societal harmony. Aristotle, on the other hand, took a more nuanced approach. While acknowledging the influence of music on emotions, he saw its value in achieving a state of catharsis (purification) and enjoyment (Kivy, 1990). He believed music could be used for practical purposes, setting the mood for various social situations.
  1. Two Approaches to Ethos: Plutonian and Aristotelian
(A) Plutonian Approach: Building Character Following Plato's ideals, a Plutonian approach to ethos utilizes music as a tool for moral education and character development. This approach selects music with specific characteristics:
  • Melody: Diatonic melodies, considered harmonious by the Greeks, would be preferred to chromatic melodies, seen as dissonant and potentially disruptive (Barker, 2007).
  • Rhythm: Rhythms would be chosen to promote order and discipline, with slower tempos for contemplation and faster tempos for encouraging action.
  • Lyrics: Lyrics with positive moral messages, promoting virtues like courage, justice, and temperance, would be emphasized.
Pedagogically, this approach could involve:
  • Exposure to "approved" music: Students would be exposed to music deemed to instill positive character traits, shaping their moral compass.
  • Analysis of musical elements: Analyzing the ethos of music, understanding how specific melodies, rhythms, and lyrics evoke specific emotions, could foster critical thinking and moral discernment.
  • Composition for ethical purposes: Encouraging students to compose music that promotes positive values and reflects upon societal issues.
(B) Aristotelian Approach: Practical Applications Aristotle's approach focuses on using music for practical purposes, enhancing specific social situations by setting the mood and influencing emotions. Examples of Situational Music and Ethos:
  • Martial Music: Energetic rhythms, brass instruments, and major keys would inspire courage and determination in soldiers before battle.
  • Funeral Dirges: Slow tempos, minor keys, and mournful melodies would evoke sadness and promote reflection during funerals.
  • Religious Music: Uplifting melodies, sacred lyrics, and a sense of awe would inspire devotion and spiritual connection during religious ceremonies.
  1. Ethos and Emotional Impact
The doctrine of ethos posits a direct link between musical elements and emotional responses. Musical factors like melody, rhythm, harmony, and timbre can trigger specific emotions in listeners. For example, major keys tend to evoke positive emotions like joy and excitement, while minor keys are often associated with sadness and melancholy. The tempo of music can influence our emotional state; fast tempos can create a sense of urgency or excitement, while slow tempos can evoke feelings of calmness or sorrow.
  1. Ethos and Cultural Context
The concept of ethos is deeply intertwined with cultural context. Musical elements that evoke certain emotions in one culture might have a completely different effect in another. For example, the pentatonic scale, widely used in Asian music, may convey a sense of serenity to a listener familiar with that tradition, while a Western listener might find it unfamiliar or even unsettling. Additionally, the cultural significance of specific instruments, compositional techniques, and musical styles can influence the interpretation of ethos.
  1. Criticisms and Limitations of the Ethos Doctrine
The doctrine of ethos has faced criticism. Sceptics argue that the relationship between music and character is tenuous and subjective. Moreover, the doctrine assumes a universal understanding of musical elements and their emotional impact, which is demonstrably not the case due to cultural variations. Furthermore, the focus on manipulating emotions through music raises ethical concerns. Does music simply evoke emotions, or does it actively shape them? Can music be used for propaganda purposes  

Sample Answer

     

The Enduring Influence of Ethos in Music: A Multifaceted Exploration

Abstract

Music, a universal language, transcends spoken words and evokes a vast array of emotions and experiences. This paper delves into the ancient Greek concept of ethos, exploring its influence on the emotional impact, cultural context, and interpretation of music. Drawing upon the perspectives of Plato and Aristotle, we examine both the potentially transformative power of music (Plutonian approach) and its use for practical purposes (Aristotelian approach). The paper further explores criticisms of the doctrine, composer manipulation of ethos, listener