screen music composition

Choose a composer, filmmaker, or sound designer who has experimented with screen music composition and/or sound design techniques. How has this person’s work pushed the boundaries of conventional screen sound and music practice, and what specific techniques have they deployed to craft new sonic constellations or relationships between images and sound/music? You may also choose to write about a creative team rather than an individual (for instance, Maya Deren and Teiji Ito; Wendy Carlos, Rachel Elkind, and/or Stanley Kubrick; David Lynch, Alan Splet, and/or Peter Ivers, and/or Angelo Badalamenti).