Feminist art of the 1970s was closely highly conscious of the sexual revolution and its aims. When you
contemplate Image 1 and Image 2, what comment do you believe artists Hannah Wilke and Shelly Lowell
intended in their own time about the place of women as sexual beings in a male-dominated culture? Does
viewing the work in 2019 evoke a different sense than the artists might have anticipated 40+ years ago?