How directors and cinematographers shape meaning in film using cinematography. Robert Bresson’s Pickpocket (1959)
Reflecton how directors and cinematographers shape meaning in film using cinematography. Robert Bresson’s Pickpocket (1959)
Sample Answer
Robert Bresson was a French filmmaker renowned for his minimalist and austere style. His 1959 film, Pickpocket, is a prime example of how cinematography can be used to shape meaning and convey a particular worldview.
Bresson’s Cinematography
Bresson’s cinematography is characterized by:
- Long takes: Bresson often used long, uninterrupted takes to create a sense of time passing and to allow the viewer to observe the characters’ actions and reactions without interruption.