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Sorts of messages were encoded in Babylonian and Assyrian art
What sorts of messages were encoded in Babylonian and Assyrian art? In what ways could these messages be considered propagandistic? Please select one example of Babylonian art and one example of Assyrian art to compare and contrast in your first post.
Sample Answer
- The power and authority of the king: Babylonian and Assyrian art often depicted the king in a victorious pose, surrounded by his army and his subjects. This was a way of showing the king’s power and authority, and of legitimizing his rule.
- The military might of the empire: Babylonian and Assyrian art also often depicted scenes of warfare, showing the king and his army victorious over their enemies. This was a way of celebrating the empire’s military power and of intimidating its enemies.
Full Answer Section
- The wealth and prosperity of the empire: Babylonian and Assyrian art also depicted scenes of abundance, such as feasts, harvests, and religious festivals. This was a way of showing the empire’s wealth and prosperity, and of promoting loyalty among its subjects.
- The divine favor of the gods: Babylonian and Assyrian art often depicted the gods, showing them as powerful and benevolent figures. This was a way of asserting the gods’ support for the king and the empire, and of encouraging obedience to the gods’ will.
These messages could be considered propagandistic in the sense that they were used to promote a particular ideology or point of view. The art was used to glorify the king and the empire, and to intimidate or persuade others to support them.
Here are two examples of Babylonian and Assyrian art that illustrate these messages:
The Standard of Ur is a unique and well-preserved example of Babylonian art from the Early Dynastic period (2600-2350 BCE). It is a wooden box that is decorated with scenes of warfare, hunting, and feasting. The scenes on the box are vividly painted and show the king and his army victorious over their enemies. The Standard of Ur is a powerful reminder of the military might and wealth of the Babylonian Empire.
The Lachish Reliefs are a series of stone reliefs that depict the Assyrian victory over the city of Lachish in 701 BCE. The reliefs show the Assyrian army laying siege to the city, and the subsequent sacking and destruction of the city. The Lachish Reliefs are a graphic and brutal reminder of the Assyrian military might and their willingness to use violence to achieve their goals.
The Standard of Ur and the Lachish Reliefs are just two examples of the many ways in which Babylonian and Assyrian art was used to encode messages about power, authority, military might, wealth, and prosperity. This art was used to promote a particular ideology or point of view, and it can be considered propaganda in this sense.
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